27. International Review of Composers

27. International Review of Composers October 4–8 2018

27. International Review of Composers

27. International Review of Composers October 4–8 2018

28th International Review of Composers, 2019 – CALL for Scores

28th International Review of Composers, 2019 – CALL for Scores

datum slika May 15, 2018

Composers’ Association of Serbia
28th International Review of Composers
IN THE NET – ideas, memories, imaginations
Belgrade, October 2019

CALL for Scores

All submissions should employ the following performing forces:

1) Ensemble of 9–15 instruments ad libitum
Eligible instruments: flute, recorder, oboe, clarinet, bassoon, French horn, trumpet, trombone, guitar, harp, piano, harpsichord, accordion, percussion (small), mezzo-soprano, baritone, two violins, viola, violoncello, and double bass.
Duration: up to 15 minutes.

2) Piano and accordion
Duration: up to 12 minutes

3) Organ solo or
Organ and a combination of 1–6 instruments/performers ad libitum
Eligible instruments: violin, trumpet, percussion, accordion, mezzo-soprano, baritone
Duration: up to 12 minutes

4) Two pianos
Duration: up to 10 minutes

5) Ensemble of 1–5 instruments ad libitum, with or without electronics
Eligible instruments: flute, recorder, oboe, clarinet, bassoon, French horn, trumpet, trombone, guitar, harp, piano, harpsichord, accordion, percussion (small), mezzo-soprano, baritone, two violins, viola, violoncello, and double bass.
Duration: up to 10 minutes

6) Double bass and electric Rhodes Piano
Duration: up to 10 minutes

Submission is free and not anonymous.

Individual authors may submit pieces in multiple categories, but no more than two works in total.
In adherence to the Statute of the International Review of Composers, only works written over the past three years will be considered. Eligible applicants include authors, performers, associations, and national author societies.

Submissions should include the following:
1) the score;
2) a recording (if possible);
3) a short biography (up to 150 words).
The authors of pieces selected for performance will have to submit complete performance materials, including the following:
1) the parts;
2) electronic realisations (for electro-acoustic pieces);
3) one photograph;
4) biography (up to 150 words);
5) programme note (up to 150 words).

Applications should be emailed to tribina_kompozitora@composers.rs or mailed to:
Udruženje kompozitora Srbije
Mišarska 12–14, 11000 Beograd, Serbia

The deadline for competition applications is 15 October 2018 (CET).

All applications sent by mail should be posted before the deadline and stamped accordingly.
The deadline for online applications is 15 October 2018, but the files should remain downloadable until the end of February 2019 (SoundCloud, YouTube, Dropbox, and the like, but not WeTransfer).
Preferably, applications should be submitted via email.