Miloš Zatkalik (1959), composer and music theorist from Belgrade, Professor at the University of Arts in Belgrade, Faculty of Music; member of the University Senate. Formerly a visiting lecturer at the Universities of Novi Sad, Kragujevac, and Banjaluka. Lectured by invitation in Canada, Norway, the USA, Slovenia, Germany, Argentina and Australia.
Major works: symphonic: Minas Tirit: What’s He to Hecuba; of Saralinda, Xingu and the Duke Swallowed by Golem – A Fable for Symphony Orchestra; chamber: The Mad Carriage-greeter from Ch’u; Lost Fragments II; Seemingly Innocent Game; Noise in the inner Silence; Lux in tenebris; A beleza do Alberto Caeiro; chamber orchestra: Dum incerta petimus, Lost fragments; Four Visions of Absence; solo instruments (flute, viola, cello, oboe).
Presented papers on many scientific conferences. Published papers at home and abroad, as well as a book on post-tonal prolongation. Author of the first Serbian electronic textbook on music analysis.
Representative of the Composers Association of Serbia Association at the European Composers and Songwriters Alliance, and formerly a long-time member of the Association’s Managing Board, and of the jury of “Stevan Mokranjac” Award.
About the piece
Not Completely Sincere Piecesfor Cello and Piano
Certain portions of the piece pretend to be energetic, robust, witty, grotesque, majestic… All turn out to be fake; what is sincere is only the performance instruction in the last movement, senza espressione.