Anđela Milić (b. 1996) completed her MA studies of composition in 2020 at the Faculty of Music (University of Arts in Belgrade) in the class of Svetlana Savić. She is currently third-year student of doctoral studies in the class of the same professor. She has collaborated with interpreters such as the Ensemble for new music Construction Site, Belgrade Trio and Female choir of the Facultz of Music. She took part in festivals the International Review of Composers, Mujeres en la Musica Nueva, KozArs, Grand Prix Romania, FESTUM and KoMa, among others. Her music was performed in Columbia, Spain, Romania, Bosnia and Herzegovina, and Serbia. Anđela Milić won Second prize at the “Neda Depolo”competition for creative contribution to radio programmes, for her piece Bezvremena [Timeless], as well as for the electronic piece Hypnagogia in September 2021.

She works as a teaching assistant for sound design at the School of Computing in Belgrade, Department of Multimedia design.

About the piece

Na ivici[On the edge] is a two-movement piece for flute, harp and electronics. Its extramusical meaning deals with liminal spaces and imaginary borders between anything. The piece was commissioned by the flutist Sanja Marić and harpist Katarina Rakić, and it is dedicated to the duo. It was first performed within the concert cycle Chamber music of Serbian female composers for flute and harp in 2023.